Its been four days since TIFF ended and Toronto settled down to its normality.
While I’m not new to the city or the festival, this was my first year buying a package of tickets, going through the selection process and seeing more than one film.
The ticket process is a pain. The lines suck. The whole thing is a gamble and you can get stuck with nothing but vouchers. But I lucked out and my experience was mainly positive.
Here are my [short] reviews:
The Descendants: While getting downtown for 11am the day after a wedding wasn’t pleasant, this film was very worth-it. Life’s harsh realities are put on display as George Clooney plays a husband to a coma-ridden wife and learning she was cheating on him. Yes, the movie is a sob-fest, but it’s also really funny. With really tear-jerking moments and a lot of laughs, this movie is just… real.
Dark Horse: We chose this as a runner-up to ‘A Dangerous Method’ by scheduling only and not getting the first choice stung. While some of the characters were entertaining (I love Selma Blair’s deadpan delivery), the story was slow and really dark. I wouldn’t recommend this unless you’re a Todd Solondz fan.
Take Shelter: Michael Shannon stole the show from my fave actor (Leo) in ‘Revolutionary Road’ and I was stoked that he got an Oscar nom for it. I love him in ‘Boardwalk Empire.’ Everything he does is intense and this film was no exception. As a husband with apocalyptic visions he’s driven to protect his family from something that just isn’t there (or is it?). It’s gripping, emotional and a definite recommend.
Like Crazy: I was really excited for this one (new fiancé from a relationship that grew in university and spanned long distance and all). It was a bit slow, cute at times, but mostly sad and tormented. Think ‘Blue Valentine’ at age 20 and dialed back a bit. Worth seeing if you like
that sort of thing, but I don’t expect anything come Oscar time.
Martha Marcy May Marlene: Admittedly, I’d have to give this ‘Take Shelter’ and ‘The Descendants’ a three-way tie until I see them again. First of all, who knew MK and Ashley Olsen had a younger sister that was serious about acting? Elizabeth Olsen stars as a young woman who’s fled a cult and trying to assimilate with her fam. With flashes from present to past cult life this film is thrilling, disturbing and amazing.
Moneyball: This prem’d at TIFF but I didn’t technically see it at the fest. Regardless it’s one of the most buzz worthy flicks so why not include it? I’m probably not the only one who pegged Brad Pitt and Jonah Hill as an odd pairing. That said, Hill’s departure from stupid comedy had depth while holding onto his humour. Though an unlikely pair, him and Pitt are what makes me love this movie so much. A must-see.
There are endless reviews for each of these online with differing opinions, but I don’t want to go into detail because movies are best when you haven’t even seen the strongest clips in previews.